The band aims for the ballad hit several times, in "Crystal Eyes", "It's Over Now" and the 1950s-style "I Found You", attempting to repeat the earlier success of their major single " The Ballad of Jayne". The album starts in a more somber note with "Over the Edge", which was used in the film Point Break, but the bulk of it consists of standard hard rockers, such as "Kiss My Love Goodbye" and "My Koo Ka Choo".
#Album or cover l.a. guns hollywood vampires full
The meticulous production gives the album a sound typical of the period - a full sound, with many background harmony vocals, layered guitars and additional keyboard tracks. While no track from the album topped the charts (and the band's success declined soon afterwards as their style fell out of commercial favor), Hollywood Vampires presents various shades of the band and is representative of the late 1980s/early 1990s glam metal scene, with riff-laden songs and big choruses on every song. The Guns make a decent enough job that will keep their faithful content at a shade over four and a half minutes this is one of the longer tracks presented here and adds another element to the album.Hollywood Vampires is the third studio album by the American glam metal band L.A. ‘All That You Are’ continues the hard rocking with a surefire beat and a swaggering pace that could see this track become a live favourite.Īcoustic ballad ‘Would’ slows things down a touch before the album’s final couple of tracks in a style that Poison and Extreme hit the nail on the head with. This will have the lighters, or whatever the 21 st century digital equivalent is, aloft for sure.īattering the front door down ‘Witchcraft’ gatecrashes the party in blustering fashion as The Guns continue to fire on all cylinders. Power ballad ‘You Can’t Walk Away’ is the gentler side of The Guns with a chorus tips a knowing nod and winking eye to Crosby, Stills & Nash’s ‘Our House’.
#Album or cover l.a. guns hollywood vampires free
Comtemplate the thought of Crue and Jovi, in their prime, giving forth offspring and you’re heading in the direction of the right ballpark.Ī catchy chorus most ably delivered by Frolich, alongside four and a half minutes of barbed six-string hooks set free by Griffin. ‘Well Oiled Machine’, which recently gained a cover placement on Spotify’s esteemed ‘Hard Rock’ playlist, keeps affairs, quite appropriately, motoring along diving down a highway chock full of sleazy innuendo.Ī shift up in gears, next, presents the listener with the anthemic ‘Lost Boys’ a well crafted tale of the outsider versus society. Riley and Nickels have recruited former Ratt bassist Scott Griffin on lead six-string duties with vocalist / rhythm guitarist Kurt Frolich completing the quartet that have brought forward this tempting morsel. The current lineup features drummer Steve Riley and bassist Kelly Nickels both of whom played alongside Tracii Guns, Mick Cripps and Phil Lewis in what is widely considered the ‘classic’ Guns quintet. There is, however, life in this rock n’ roll dog as ‘Renegades’, the 13 th studio release from the Guns, ably demonstrates. Since then the band has been dogged by numerous changes to the lineup and even two versions performing and recording under the LA Guns name for a period of time. The Guns’ initial releases – 88’s eponymous debut, 89’s ‘Cocked & Loaded’ and ‘Hollywood Vampires’ two years later – achieved a relative degree of success but always in the shadow of the aforementioned more princes less kings perhaps. Oft-considered amongst Hollywood rock royalty, riotous sleaze insurgents LA Guns came spitting and snarling out of that infamous Sunset Strip scene of the mid 80s that also bore Guns n’ Roses, Motley Crue, Poison, Ratt et al.
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